“Musical time is radically different from the time of capital in which our public life proceeds… musical duration is measurable only in terms of sensibilities, tensions and emotions … “
A new magazine for the grey zone of Noise & Politics, Datacide provides information on the cutting edge of technological subversion via sound and ideas. Assembled as part of an emerging Post-Media flow, Datacide is fueled by a current of enthusiasm and desire that does not seek legitimiation through the usual channels, but works as a tool to prompt the inquisitive and those becoming increasingly tired of the expediencies of journalism and self-interest.
Seeing music as intimately linked and tied to areas beyond the commercial, Datacide intends to travel out along all possible tangents whilst retaining a sensitivity to the ever mutating musical experiments that thrive on the interstice of visibility.
To be used as a communication tool of the trans-european Undo*round, it is intended to give the a deserved coverage to those who do things, not for the kudos, prestige and cash it might bring in but for the buzz of inter-activity and mutual respect.
Heterogenous theory for the invisible insurrection of a million minds.